Five days later, on a morning when an early drizzle gave way to a crisp, cold, clear sky, a raven arrived with its wings banded in blue and white. It blinked curious amber eyes as it turned its head to take in the peculiarities of Glenn’s home, then turned to Glenn himself, unafraid, but maintaining a distance a fraction too distant to be only politeness. The letter was new hide, bone-white, with no ghost of previous words hidden in its grain. The ink was metallic blue, and caught the lamplight in glints of sapphire.
From Moirin Brennan, High Bard of the Bard’s College, to Glenn of the mortal lands, well-met.
It is unusual that one of my bard would recommend me to you without recommending you to me, though the vagaries of the dreaming realm are known to be unreliable. Nevertheless, ventures into that realm are recorded, when possible, and those prone to wander are well-known, so there may be some documentation of your interaction. I make note that your raven bears the Niall colors and wonder if there is an association to that house that may provide a clue. But this need not delay us in the present.
Word of your people does reach us with some regularity, but always so little that it is picked to bits in days and leaves one dissatisfied. An established fact seems that your people are much more far-flung and diverse than our own, that mortal men of the North may not be at all as they are in the South, and what holds true with one faction may be reversed in the next or absent in another, but that these are largely matters of manners and customs and different gods and are not born in them.
Among your people I have seen a certain hunger for what is outside themselves. I have wondered if that is the true difference between us. The Tuatha have no such hunger nor such longing. We who claim our line from the Mother were born of a mystery, and the mystery is no different flesh to us. You who claim your lineage from the earth are born of only clay. On some points we cannot ever touch, and this is one. There is sorrow in each of us for that loss, but only in lacking it do we find our possibility. For your kind, it propels. In your efforts to grasp the mystery, you create. The mortal kind creates all things in abundance, things found in every common hand and things unique in all the world, to possess in part the one thing your kind will always lack: the true magic. And like every mortal cursed to blindness, you do not see that creation is your measure of that magic. Perhaps that conjecture does not satisfy. Perhaps you thought it would be different. Perhaps you take your gift for granted. Now you understand how we feel about glamourie.
For us, the glamourie is a pursuit, ever to be true, to be truer than truth, to be the very thing itself, to be the epitome of what that thing may be. It is to blur the boundaries of what is and what could be, to come as close as one may be to making substance from nothing, to compress the measure between ideation and manifestation to a thought, a gesture, to instinct. It is an art, the only art. Through it, we seek the limits of what is possible. There are those who protest this interpretation, as I am sure you may object to the summation of humanity above. I’m not entirely convinced myself, but it is as near to the truth as I may understand it. My path toward that truth is to wring meaning for meaning, to rake the past for clues, to peer into the future so far as it presents itself, to seek absolutes in the understanding that there may be none. In any case, rest assured that there are many quarreling factions over the matter, though the belief grows especially amongst aesthetics, of which there are many among us, as you might expect. You are perhaps fortunate that the College draws few aesthetics and more philosophers. Aesthetics revel in the beauty of the possible for its own sake, and as its own end, but we of the College are more prone to define it.
Write again and tell me what you were born to and what calls you to the mystery.