She was making a great many reactions, quite the physical performance, except for it wasn't a performance at all. He had approached and never withdrawn, though he never quite reached her either. She was between moments, a tame parody of how Catch lived his life. The glamourie version of it, perhaps. That thought brought him no joy, clever as it might have been. Might. His response was cool. Whether it was clever or not would be up to her. "The tears aren't the curse. They're nothing. They're a sign, a symbol. A reaction. A physical representation of the specific grief that comes with the understanding of finality, of mortal limits." It's not the tears. It's not even the grief. It's the finality. "Your people aren't meant to experience it so it has to be all the worse for you and I am sorry for that, but not that you've enjoyed our time together enough that you'll lament its eventual passing."
Which was one bit of what was going on here.
There was, of course, the other.
"So, you are speaking to some boy you know, about me, which is the sort of thing you hate the most, save for, perhaps, two people conspiring to do something for you behind your back. That's fine. I don't mind it as much. Except for that you're talking about a her, that is not you, that is not even the she that I thought she was, that this boy would recognize, and perhaps value in a way that you would object to, so," when his smile came, it was a tad put upon, bemused and amused and impatient and tolerant, yet still fond, "it's only right that you would explain that."