Wrappings of clean linen and gauze to catch the child, wrapped up against what chill remains despite the crackling hearth, the room still lacking hangings and tapestries to soften the chill of stout stone walls. It is a familiar dance between the midwife and her assistants, each moving smoothly between their appointed tasks to ensure that both mother and newborn are attended to with all care.
Once she has assured herself that Cambree is in good health Mistress Roslin stands and steps over to Susan, reaching to accept the bundle containing the Calomels' child. The younger girl then moves to Cambree's side, offering words of support and praise for how strong she was, how brave.
The midwife meanwhile moves stoop beside the hearth, where the room is warmest and the firelight brightest, her head bowed over the infant, no doubt confirming that the child is in good health.
--~--
Downstairs - a floor up from the kitchen, a floor down from the delivery room - the child's father strains his ears to glean some hint of events above, an endeavour frustrated by the bustle and chatter from downstairs and the walls and floors of sturdy stone and timber that lie between him and the objects of his thoughts. People have stopped hurrying up and down the stairs so presumably
something has happened. They'll call for him soon, surely. All he can do for now is pace this narrow landing and wait.
--~--
Mistress Roslin's assistants are brisk and competent when it comes to tending to Cambree's needs: a cool cloth is found for her brow and neck and oh, a cup of fresh-brewed tea as well - better late than never, and profuse apologies for not beign able to find the right brew. There is an undercurrent of tension to their outwardly cheerful chatter, however, frequent glances cast towards the midwife who still lingers near the fireplace. This uncertainty seems to find its release when there is a soft intake of breath from Mistress Roslin; when she meets Susan's gaze her eyes are wide, and a sharp shake of her head changes the mood dramatically. The events that follow are rapid, confusingly so.
The shift in tone is abrupt, from congratulating to apologising,
consoling, and though it is hard to say exactly what has happened, one thing is clear: something is terribly
wrong. Susan and Elizabeth move to comfort Cambree and Lavender, and though their words are laced with careful euphemism, with painfully delicate phrasing, it is clear enough that
tragedy has occurred. So sorry, so sad, nothing to be done.
Across the room the midwife straightens and turns pale, stunned features towards the huddle of women by the bed. Her back is to the fireplace. Her hands are empty.
--~--
A floor below, perhaps mid-sentence, Cinnabar freezes, eyes staring unseeing, hands clenching into white-knuckled fists. His mouth works wordlessly for a moment before his features twist with fury and he is then
running, ascending the stairs with frightening alacrity.
--~--
Behind Mistress Roslin hungry tongues of flame rapidly consume linen and gauze wrappings, burning bright and hot and merry, clouds of sparks fleeting up the chimney.
From the depths of the blaze begins the high, thin wail of a newborn infant.