Loud-mouthed children passing by learned to keep rude or pebbling comments to themselves, because the axe-head fell with such ferocity that if they had anything to say, it was best to swallow it.
In the sideways-slicing Glass Sun of early morning, her bare arm gleamed bronze: she lifted it up high, lone hand gripping the axe-handle only tight enough to trust her hips to do the rest of the work. The sharpened blade arced down, driven by a slight squat at the final moment to drive edge into grain. A clean snap. Two halves of a log tumbled like arrow-felled soldiers. The tip of a muddy boot rolled the halves to a larger pile while, across a broad, bare shoulder, the wood-axe waited patiently for a new victim.
Gloria Wynsee liked this work. She liked how it felt. She liked tucking her skirts into her belt and hiking up her stockings to her flaking knees. She liked sweating until her tunic sagged, sodden and black, with the proof of hard labor. Good work was loyal; good work was absolute. Tonight the hearth would roar because of the wood she chopped in the morning; tonight, they'd eat warm stew, because of the wood she chopped in the morning.
Along the crests of the foothills around them, other Myrkeners busied themselves similarly: they chopped wood, or pulled stones from the earth, or planted late seeds. Somewhere, a woman sang an off-key verse, and it rolled like smoke through the moist air.
Under the mottled shade of a beech tree, Gloria said to her companion, "She's bad," as she leaned her axe against the trunk. Then, as an added precaution: "Don't tell her I said that. We will make it a point to tell her that her voice is lovely: Oh, Menna Kheating, you sound positively angelic, and not at all like a breeding boar."
She withdrew a clay pipe from her belt, and silently asked for her companion's help at lighting it.
"You're quiet this morning," she said, "and quiet Tollesons are heavy Tollesons."
