The boy holds his tongue as the girls argue, his hand tensing in the wildling's grip just enough to keep his bones from grinding together. Instead he divides his attention between the trees around them, the seamstress behind, and the slowly-brightening lights of the tavern windows ahead.
It's only as the wildling explains her expectations, how she anticipates matters will go should she unleash her devil, that the boy shakes his head, frowning, not believing it for a moment.
"So what'll it d-do after? If, if you l-let it out, and it k-kills the wolves like you w-want. It's n-not going to, to go b-back in its bottle." He's not sure how it had been imprisoned in the first place, but cannot imagine that it was voluntary; something of great power in the Pit, perhaps; maybe a devious trick, a trap. "If you let it out it m-might kill th-the wolves. Or it m-might leave them to, to eat p-people it doesn't need. Maybe it'd l-let them eat everyone you c-care about, to, to punish you for leaving it in its b-bottle."
A pause to let her consider that for a time, given her own experiences with the creature.
"Maybe it'll k-kill the wolves if th-they try to eat you, but it d-doesn't care about what you w-want. You're j-just a, a body f-for it to wear. It cared m-more about Giuseppe than, than you. Your d-devil didn't rush to save you w-when, when you were in the s-stocks - not like it w-went to find out what h-happened to him. It c-could have, but it d-didn't."
It had left her, abandoned her as it walked around in Niall's flesh; left her to be flogged, abused, humiliated and tormented; it had fallen to Son to attempt her rescue, and Solena to finally spirit her away.
"B-but Gloria's not quite right. It, it d-doesn't want us. It's just c-cruel and s-selfish. You, you d-don't get to see it w-when it's in your eyes, b-but it is. It'll h-hurt people." The wolves, from what he's seen of them, have cunning - a brutish thirst for revenge, yes, but not the cold, dispassionate malice displayed by Noura's devil. "Especially if it l-looks like you, you might c-care about them, or listen t-to them rather than, than it. It w-wants you as a, a p-puppet. But if it c-could get back in Niall, that'd b-be just as good. Better, m-maybe. Niall's as, as s-selfish as your d-devil, so they're a g-good match."
Let me fight my own battles. Noura's hand tightens upon his own, and he squeezes back in kind, thin fingers rough from his work.
"They're n-not just your battles. You, you're our f-friend, and we care about you - even if you d-don't believe it - so, so that m-makes them our battles too. Wolves or, or w-whatever else."
A glance for her features then as she slumps, as her tone softens slightly; a moment to lift his wrist to his mouth, tugging back the cuff with his teeth until the deep furrows in his skin are exposed to the moonlight, scars held out for the wildling to see. His own voice drops to match hers, quiet but emphatic.
"You k-killed the mother-w-wolf and saved m-my life. That's n-not a crime. It's not a, a s-sin you have to atone for. You saved a f-friend - I'd've d-died if you hadn't. Like you m-might've died if, if Gloria h-hadn't fought the other one."
At last they reach the edge of the lawn, a moment for expansive gestures and dramatic farewells. One last squeeze and he releases her hand, glancing aside to reach for the seamstress' elbow, anxious for that contact, that anchor.
"It w-won't share you. It'll h-hurt everyone you c-care about until they can't b-be near you, or you c-can't be near them. You'll end up alone, j-just you and it." He shrugs helplessly, resigned to having done his best, to having made his best case; whatever decision the wildling makes, it will be hers alone.
"You kn-know what that's like."
